1940's and 50's                                   
  1. 40's and 50's Seems Like Old Times
  2. Remembering the 40's and 50's
  3. 1941 & 1942 The war years 
  4. Hits of the War Years 1945

50's and 60's                                      
  1. Moments to Remember Vol. 1
  2. Moments to Remember Vol. 1
  3. Smooth hits of the '50s Vol. 1
  4. Bop hits of the 50s and 60s
  5. Unforgettable  50's  Vol. 1
  6. American Graffiti Vol. 1
  7. American Graffiti Vol. 2
  8. 50s 60s & 70s favorites  Vol. 1
  9. 50s 60s & 70s favorites  Vol. 2
  10. 50's 60's 70's & 80's favorites
  11. 1950s favorites
  12. Mid 50 Favorites
  13. 1953 Pop Hits
  14. 1954 Pop Hits
  15. 1956 Pop Hits
  16. 1957 Pop Hits
  17. 1958 Rock & Roll Hits
  18. 1959 Pop Hits
  19. TV Themes from the 50s and 60s
  20. 1960s Greatest hits
  21. 1960s Mellow Hits
  22. 1960s Hits Vol. 1
  23. 1960s Hits Vol. 2
  24. 1960s Hits Vol. 3
  25. 1961 20 Greatest Hits
  26. 1961 Country Hits
  27. 1965-1970 Pop Hits
  28. 1968 Greatest Pop Hits
  29. 1961-1968  Pop Hits

1970's                                                 
  1. 1970s Pop Hits Vol. 1
  2. 1970's Nostalgia
  3. More Hits of the 70's
  4. Disco Era  Late 60s to Early 70s
  5. Ultimate Hits of the 70s
  6. 1972 Pop Hits
  7. 1973 Pop Hits Vol. 1 & 2 
  8. 1974 Pop Hits
  9. 1975 Greatest Pop Hits Vol. 1
  10. 1975 Greatest Pop Hits Vol. 2
  11. 1977 Pop Hits
  12. 1978 Pop Hits

1980's                                                 
  1. Back to the 80's Vol 1
  2. Back to the 80's Vol 2
  3. Back to the 80's Vol 3
  4. Back to the 80's Vol 4
  5. 1984 Pop Hits
  6. Good morning Vietnam Era

1990'S                                                    
  1. Forrest Gump Movie Vol. 1

Big Band                                            
  1. Big Band Favorites
  2. Big Bands

Country                                              
  1. Country Favorites Vol. 1
  2. Country Favorites Vol. 2
  3. Country Favorites Vol. 3
  4. Country Favorites Vol. 4
  5. Country Favorites Vol. 5
  6. Country number 1 hits
  7. Country Favorites Vol. 1
  8. Country Favorites Vol. 2
  9. 1962 & 63 country hits
  10. Classic Country Vol 1
  11. Classic Country Vol 2
  12. Country Legends

Mega Hits                                           
  1. Mega Hits Vol. 1

DJ Dance Gold                                   
  1. DJ Dance Gold Vol. 1
  2. DJ Dance Gold Vol. 2

More Favorites                                   
  1. More Favorites
  2. DJ Dance Favorites  1960's - 2000's


Montage:  Montage is a technique whereby  sound objects or compositions, including songs, are created by the use of portions of recordings or scores,  (literally "putting together").  Early day montages were painstakingly created by splicing magnetic tape together,  a time consuming job.  Today, as with the montages herein,  the job is easily accomplished with computers.  
The business relationship between record labels and radio stations is the very essence of the music business. To put it simply, they need each other. A record label needs radio air-play to deliver the music of its artists to an audience of radio listeners. A radio station needs music programming to broadcast to that audience.

Radio air-play is traditionally the best way for a record label to get their recorded music heard by the public. The more a song is played on the radio and heard by listeners, the more chance the song has to become a part of the public’s consciousness. If people hear a song often enough to get familiar with it, they may like it and want to buy it — that’s the only reason a record label invests so much time and money to get air-play. It’s a proven marketing tactic that, when successful, leads to billions of dollars in record sales annually.

Music-formatted radio stations both commercial and non-commercial get their music for free from record labels. The radio industry uses that music to attract listeners to their stations. If they get enough listeners, consistently, they can attract advertisers who are eager to reach a select demographic group of consumers. So, in a sense, a radio station uses music like bait to attract people of a certain age group, gender, and ethnicity so they can deliver listeners of that demographic group to their advertisers. If they do their programming right, radio stations can charge advertisers handsomely for the radio ads they air, and the income from advertisers is radio’s primary source of revenue.  (Excerpted from "How Record Labels and Radio Stations Work Together" by Christopher Knab)